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The Mikado

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Dates
06/19/09 at 8 p.m.
06/20/09 at 8 p.m.
06/21/09 at 2 p.m.

Location
Southern Theatre

Production Details
Operetta in two acts
Music by Arthur Sullivan
Libretto by W. S. Gilbert
World Première: March 14, 1885, Savoy Theatre in London

Characters
The Mikado of Japan (bass)
Nanki-Poo, His Son, disguised as a wandering minstrel, and in love with Yum-Yum (tenor)
Ko-Ko, The Lord High Executioner of Titipu (comic baritone)
Pooh-Bah, Lord High Everything Else (bass-baritone)
Pish-Tush, A Noble Lord (baritone or bass-baritone)
Yum-Yum, A Ward of Ko-Ko, also engaged to Ko-Ko (soprano)
Pitti-Sing, A Ward of Ko-Ko (mezzo-soprano)
Peep-Bo, A Ward of Ko-Ko (soprano)
Katisha, An Elderly lady, in love with Nanki-Poo (contralto)

About the Opera
Before the action of the opera begins, Nanki-Poo has fled from the court of his father, the Mikado of Japan, to escape marriage with an elderly lady, named Katisha. Assuming the disguise of a musician, he has then fallen in love with a fair maiden, Yum-Yum; but he has been prevented from marrying her by her guardian, Ko-Ko, who wishes to marry her himself. Ko-Ko, however, has been condemned to death for flirting; and, when Act 1 opens, Nanki-Poo is hastening to the court of Ko-Ko in Titipu to find out whether Yum-Yum is now free to marry him.

From Poo-Bah (a corrupt and proud public official) and Pish-Tush (a noble man), Nanki-Poo learns that Ko-Ko has, instead, become Lord High Executioner, thus preventing the sentence of decapitation from being carried out. Ko-Ko is, in fact, going to marry Yum-Yum that very afternoon.

Everything seems to be going well for Ko-Ko, but suddenly a letter comes from the Mikado ordering him to execute somebody or else lose his position of Lord High Executioner. He is in a quandary to find someone to execute, when Nanki-Poo appears, bent upon suicide because he cannot marry Yum-Yum. By conceding to him the right to marry Yum-Yum for a month, Ko-Ko persuades Nanki-Poo to be the subject for the public execution when that month is up. There is general rejoicing in this apparent solution to the problem, marred only by the unexpected appearance of Katisha, in quest of the vanished object of her affections, Nanki-Poo. She is driven away, but threatens to go to the Mikado about the matter.

Act II opens with Yum-Yum preparing for her marriage with Nanki-Poo. As all are singing a "merry madrigal," Ko-Ko comes in with the news that he has just discovered a law stating that when a married man is executed his wife must be buried alive. To save Yum-Yum from that fate, Nanki-Poo decided to kill himself at once. But this again throws Ko-Ko into a quandary to find someone to execute (especially as he has heard that the Mikado is at that moment on his way to Titipu). Nanki-Poo magnanimously offers himself for immediate decapitation, but Ko-Ko is unable to perform the act without some practice.

Another way out of the difficulty presents itself: Ko-Ko has Pooh-Bah make a false affidavit that Nanki-Poo has been executed, and bid Nanki-Poo and Yum-Yum leave the country.

The Mikado soon appears. Ko-Ko thinks that the object of this is to see whether the execution has taken place. He accordingly produces the affidavit and describes with gusto the execution. But the Mikado has actually come at the prompting of Katisha in search of his lost son. When the fact transpires that the person whom Ko-Ko has supposedly executed is really the Mikado's son, Ko-Ko and his accomplices are declared guilty of "compassing the death of the Heir Apparent." The only hope for them is to admit the falsehood of the affidavit and produce Nanki-Poo alive. But, as Nanki-Poo has already married Yum-Yum and so cannot marry Katisha, Katisha will surely insist on the execution of Nanki-Poo and Yum-Yum. Ko-Ko solves the problem by offering his hand to Katisha; and, after he sings her the touching ballad of "Willow, tit-willow," she accepts him. The end of the opera comes with Nanki-Poo's discovering himself as the son of the Mikado.

Artistic and Production Staff
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Principal Artists
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