Soprano, Adelaide Boedecker, has been described as “emotionally transparent and beguiling of tone” (The San Francisco Chronicle.) In the fall of 2021, Ms. Boedecker will return to Pittsburgh Opera to perform Pamina in “The Magic Flute” (postponed from Nov. 2020 to Nov. 2021, due to COVID-19). Just recently, in the spring of 2021, she covered the role of Frasquita in “Carmen” with Atlanta Opera and performed the role of Norina in “Don Pasquale” with Opera Las Vegas. Upcoming, in the Spring of 2022, Ms. Boedecker will be a featured soloist with the Choral Artists of Sarasota, will return to Opera Columbus to sing Miss Lightfoot and cover Mary Johnson in “Fellow Travelers”, and will make her Florida Grand Opera debut as Mary Johnson in “Fellow Travelers”.
During the 2019-2020 season, Ms. Boedecker joined the Steamboat Symphony Orchestra as the soprano soloist in Mozart’s Mass in C minor, the Wichita Symphony Orchestra and Capriccio Columbus as the soprano soloist in “Carmina Burana”, the Naples Philharmonic as the soprano soloist in Handel’s “Messiah”, and the Lensic Performing Arts Center in Santa Fe for their New Year’s Eve Gala, where she performed Mozart’s Exsultate, “Jubilate”. During the spring of 2020, Ms. Boedecker returned to Sarasota Opera where she performed the role of Adina in “L’elisir d’amore” and was scheduled to return to Opera Las Vegas to reprise the role of Pamina in “Die Zauberflöte” (canceled due to COVID-19).
In 2018 she performed the role of Clorinda in “La Cenerentola” with Opera Las Vegas, and made her role debut as Susanna in “Le nozze di Figaro” with James Conlon and James Darrah, at Music Academy of the West. In the spring of 2019, Ms. Boedecker made her role debut as Pamina in “Die Zauberflöte” and covered the title role in Donizetti’s “Rita” with Sarasota Opera, she made her Opera Columbus debut in their Opera Swings Jazz concerts and returned to Santa Fe Opera to sing Meredian in Joe Illick and Andrea Walter’s “UnShakeable”. Past performance credits include Micaëla in “The Tragedy of Carmen” with Opera Birmingham, Yum-Yum in “The Mikado” with Performance Santa Fe, and Clorinda in “La Cenerentola” with both Syracuse Opera and El Paso Opera.
As a former resident artist with Pittsburgh Opera, Ms. Boedecker performed Alice B. Toklas in “27”, Marie in “La fille du regiment”, Frasquita in “Carmen”, Anna in “Nabucco”, Beth in “Little Women”, Mabrouka in “Sumeida’s Song”, and covered Despina in “Così fan tutte”. Ms. Boedecker spent two summers as an apprentice artist with the Santa Fe Opera and two summers with the Merola Opera Program. With Merola, role highlights include Stella in “A Streetcar Named Desire” and Despina in “Così fan tutte”. Santa Fe Opera performances include Ida in “Die Fledermaus”, Tessa in “Trinity”, Sarah in “Avastar”, and Chorus Soloist in the Grammy Winning “(R)evolution of Steve Jobs”. Additionally with Santa Fe, she covered the roles of Marie in “La fille du régiment”, Serpetta in “La finta giardiniera”, Lila/Laura in “Cold Mountain”, and Chrisann in “(R)evolution of Steve Jobs”. Competition highlights include winning the Santa Fe Opera Anna Case MacKay Award, the National Opera Association competition, scholarship division, and winning second place in the American Prize competition for professional singers.
Ms. Boedecker made her professional debut at age 17, as Barbarina, with the Sarasota Opera. She received her Bachelor of Music Degree in Vocal Performance from University of Florida, where she graduated summa cum laude, and received her Master of Music in Vocal Performance from the Eastman School of Music.