Soprano Michelle Johnson, a Grand Prize Winner of the Metropolitan Opera National Council Auditions where she was described as “a clear audience favorite” (New York Times), has been lavished with praise for her “extraordinary breath control and flawless articulation… Her voice is velvety and pliant – a dulcet dream.” Recent engagements include Ms. Johnson’s debut with Opera Tampa in the title role of Verdi’s Aida, a house and role debut with Chicago Opera Theater as Zemfira in Aleko, a featured soloist performance with Madison Symphony Orchestra, a debut with Waterbury Symphony for their Holiday Pops and a return to Chautauqua to perform Strauss’ Vier letzte Lieder with Chautauqua Symphony Orchestra. During the 2020-2021 season, Ms. Johnson was slated to make her Allentown Symphony, Florentine Opera, Opera on the James and Chamber Orchestra of Philadelphia debuts (COVID 19). Instead, she joined Opera Tampa as Leonora in// trovatore, and Opera Delaware for a concert of Shakespeare selections. During the 2021-2022 season, Ms. Johnson will make her Boston Lyric Opera debut singing Santuzza in Cavalleria Rusticana, as well as, make a role debut with Opera Columbus as Tosca, sing the title role in Aida with Opera Carolina and sing Mimi in La boheme with both the Columbus Symphony and Florentine Opera. In the summer of 2022, Ms. Johnson will make her debut with Des Moines Metro Opera as Bess in Porgy and Bess and in 2023, she will reprise the title role of Aida with Opera Grand Rapids and sing as the soprano soloist in Beethoven’s Ninth Symphony with Allentown Symphony.
A favorite of many houses, Ms. Johnson made recent returns to Lyric Fest for “I Hear America Singing”, Sarasota Opera as Madame Lidoine in Poulenc’s Dialogues des Carmelites, and Boston Landmark Orchestra as a soloist in Beethoven’s Symphony No. 9. Ms. Johnson has also made a name for herself as one of the most in demand Aidas in the opera world today, performing Verdi’s tragic heroine with Glimmerglass Music Festival, Opera Santa Barbara, Opera Columbus, Knoxville Opera, Opera Idaho, and Sarasota Opera, among others. Ms. Johnson’s debut with Columbus Symphony as soprano soloist in Verdi’s Requiem was highly praised, and her collaboration with Madison Opera as Santuzza in their most recent production of Cavalleria Rusticana was given rave reviews.
Past opera credits include Leonora in // trovatore with Hawaii Opera Theatre, Minnie in La Fanciulla def West with Kentucky Opera, Elisabeth de Valois in Don Carlos with Sarasota Opera, the title role in /vlanon Lescaut and Donna Anna in Don Giovanni with Opera Philadelphia, and Mimi in La boheme with both Annapolis Opera and PortOpera. Her concert and solo credits include the soprano solo in Verdi’s Requiem and Beethoven’s Symphony No. 9 with Orquesta Sinf6nica del Principado de Asturias, Beethoven’s Symphony No. 9 with Boston Philharmonic, an all-French Opera concert with Maestro Michel Plasson in Montpellier, France, the soprano soloist in Vaughan Williams’ Dona nobis pacem with Juneau Symphony, and an all Verdi concert with The Princeton Symphony Orchestra under the baton of Maestro Rossen Milanov. Adept in non-standard repertoire as well, Miss Johnson performed the title role in the rarely performed Sakuntala with Teatro Grattacielo along with numerous other contemporary works.
A graduate of the Academy of Vocal Arts in Philadelphia, Boston University Opera Institute, and New England Conservatory, Ms. Johnson was seen as the title role in Suor Angelica, Leonora in Oberto, Donna Anna in Don Giovanni, the Countess in Capriccio, and Alice Ford in Falstaff during her educational tenure. In addition to winning a Grand Prize at the Metropolitan Opera National Council Auditions, Miss Johnson has also graced the winner’s circle of the William Matheus Sullivan Foundation, Gerda Lissner Foundation and the Giulio Gari Foundation.