Celebrated soprano, Cecilia Violetta López, has been named one of “Idaho’s Top 10 Most Influential Women of the Century” by USA Today and has been named one of opera’s “25 Rising Stars” by Opera News. The singing actress is constantly praised for her “alluring voice and incredible range” (Washington Post).

She has received accolades for her signature role of Violetta in La traviata, which she has performed countless times throughout North America. Critic James Jorden, exclaimed, “She is a Violetta fully-formed and, I think, ready for the great stages of the world.” She has now performed the role with Minnesota Opera, Opera Colorado, Opera Tampa, Opera Idaho, Ash Lawn Opera, The Northern Lights Music Festival, Madison Opera, Pacific Symphony, and Virginia Opera. Ms. López made her European début as Norina in Don Pasquale with Zomeropera in Belgium, for which Klassiek Centraal exclaimed: “She turns out to be the revelation of the show and wins over the audience with her funny rendition, irresistible charm, and [she is] natural in the different vocals.”

From her performance as Adina in The Elixir of Love with Virginia Opera, The Virginian-Pilot hailed, “Cecilia Violetta López is showing local audiences why Opera News named her one of its ’25 Rising Stars.’ In the lead role of Adina, she hit the highest notes with ringing clarity, performed the vocal runs with precision and grace and showed a particular charm and humanity in the softest passages and lowest ranges.” In her recent performance as Marguerite in Faust with Opera Omaha, the Omaha World-Herald claimed “…López sang Marguerite’s seduction, madness and salvation with an other wordly wisdom and artistry.”

Despite the halting effects of COVID-19 in the opera industry, Ms. López’s 2020-2021 season has included both virtual and live recitals with Opera Idaho, Opera Las Vegas, Austin Opera, Opera Southwest, Chatter ABQ, and Madison Opera. Ms. López made her company debut with Pacific Symphony as Violetta in their 90-minute version of La traviata, and Ms. López will also be the featured soprano soloist in the world premiere of Mi Camino, a virtual project with Opera Cultura. Cecilia will also return to Opera Colorado as a soprano soloist in Canciones de Nuestras Tierras: a live, outdoor performance.

In past seasons, Ms. López has made several role débuts including her now critically acclaimed role of Adina in L’elisir d’amore with Opera Idaho, Virginia Opera and Opera Las Vegas, the title role in Massenet’s Manon with Opera Idaho, Nedda in I pagliacci with Opera Colorado, Desdemona in Rossini’s Otello with LoftOpera, Maria in West Side Story with Opera Idaho, Marguerite in Faust with Opera Omaha, Mimì in La bohème with Opera Orlando, Rosalba in Florencia en el Amazonas with Florida Grand Opera, Beatrice Russo in Il Postino with Opera Southwest and Opera Saratoga, Rosina in Il barbiere di Siviglia, Fiordiligi in Così fan tutte, and Contessa in Le nozze di Figaro with Opera Tampa, Hanna Glawari in The Merry Widow with Opera Saratoga, Lucy in Fellow Travelers with Prototype Opera Festival, the title role of Suor Angelica with Opera San Luis Obispo, Magda in La rondine with Skylark Opera Theatre, Gilda in Rigoletto with Opera Idaho, and Zerlina in Don Giovanni with Opera Tampa and Opera Las Vegas. She appeared as Micaëla in Carmen in her house debut with Michigan Opera Theatre and Blanche in Dialogues des Carmélites and Rosalinde in Die Fledermaus as a part of Eugene Opera’s New Year’s Eve Opera Trio. In addition to these débuts, she reprised the role of Micaëla in Carmen with Madison Opera and joined the roster of the Metropolitan Opera in their 2015 production of The Merry Widow.

Solo concert performances include Mahler’s Symphony No. 4 and selections from Canteloube’s Chants d’Auvergne with the Henderson Symphony Orchestra, and Rutter’s Mass of the Children with the Southern Nevada Musical Arts Society. Additionally, Ms. López has performed as a soloist at the reopening of the Idaho Museum of Natural History gala, various Christmas concerts, including her company debut with the Madison Symphony Orchestra, and as a featured soloist in concerts with the Boise Philharmonic, Austin Opera, Madison Opera and the prestigious Bard SummerScape Music Festival. Ms. López was also a soloist in Opera Orlando’s One Voice Benefit Concert in Orlando, Florida, where proceeds benefited those affected by the tragedy that occurred at the Pulse Night Club. She performed for the Zion’s Bank Annual Gala, and was a guest speaker at the 2017 California State Annual Migrant Parent and Student Conference, where she shared her story and musical talents with people of similar backgrounds as her own.

Ms. López also completed a two-year tenure as a Soprano Resident Artist at Opera San José, where she performed Leïla in Les pêcheurs de perles, Rosalinde in Die Fledermaus, Leonora in Il trovatore, the title role in Suor Angelica, Lauretta in Gianni Schicchi, Nannetta in Falstaff, Gretel in Hänsel und Gretel, Donna Anna in Don Giovanni, and Cio-Cio San in Madama Butterfly.

Additionally, Ms. López is an alumnus of the Caramoor Music Festival, where she covered the role of Hélène in Les vêpres siciliennes. She is also an alumna of the Hawaii Performing Arts Festival, where she sang the title role in their production of L’incoronazione di Poppea. Her début in the role of Violetta in La Traviata was with Martina Arroyo Foundation’s prestigious summer festival, Prelude to Performance.

In January 2021, Opera Idaho appointed Ms. López as the company’s first Artistic Advisor. “Known to Opera Idaho audiences primarily through her appearances in operas over the last six-plus years, Cecilia takes on added responsibilities to advise and advocate for expanded repertoire, provide insights on diversity in artistic practices and community initiatives, and collaborate with senior management in identifying and securing financial support for the company. Cecilia will work closely with General Director Mark Junkert in helping shape the future of Opera Idaho.”

‘When I think of someone active in the field as a performer who both knows what’s happening in the field nationally and internationally and knows our state, Cecilia is the perfect fit for the position. Many opera companies have similar positions, and it is a sign of Opera Idaho’s growth that we’re able at this point in our history to add an Artistic Advisor.’

—Mark Junkert, General Director, Opera Idaho

Ms. López is the recipient of an Idaho State Concurrent Resolution honoring her life as an Idahoan and her work in the world of opera.

“We should be so very proud of Cecilia Violetta López. She exemplifies all that is what America is about: apply yourself, work hard, dream big, and you can achieve those dreams. She tells every Idaho girl and boy that they, too, can succeed … no matter where they came from, no matter how small they may start out, no matter how long their journey may appear to be. Idaho should be so very proud of this young lady and should hold her up as an example of what all Idaho children might achieve.

—Opera Idaho Board Member, Yvonne McCoy, for Senator Buckner-Webb.

Ms. López, “The Daughter of Idaho,” a Mexican-American native of Rupert, Idaho, is featured in two Idaho state museums and got her musical start at a young age singing mariachi music that she learned from her mother.

Monica Danilov-Marquez received her bachelor’s degree in vocal performance from the Manhattan School of Music and her master’s degree from the Conservatory of Music of Brooklyn College (CUNY) under the tutelage of Patricia McCaffrey. She was chosen to participate in the master class entitled ¨Music for the Masses¨ at the Metropolitan Opera Guild, with renowned conductor Kent Tritle. She has worked with a host of renowned conductors such as Jun Nakabayashi, Alan Gilbert, Peter Jaffe, Gerassim Voronkov, Dante Ranieri, Olivier Grangean, and Richard Barrett, and with directors Mitch Sebastian and Dona Vaughn, among others. She sang in world premieres of Marjorie Meryman’s Beauty, Grief and Grandeur and the U.S. premiere of Nuñes Garcia´s Requiem. She has sung at the Kennedy Center in Washington, D.C., the 92nd Street Y and Avery Fischer Hall in New York, the Cairo Opera House, and in Algeria, Ghana, Ecuador, and Colombia.

She also has experience in musical theater as Maria in The Sound of Music, produced by MISI Producciones (performed forty-two times), and the role of Aldonza/Dulcinea in Man of La Mancha performed at the Teatro Mayor Julio Mario Santodomingo in Bogota, Colombia. She has sung important roles in zarzuela like La Beltrana in Doña Francisquita by Vives and Clarita in La del Manojo de Rosas by Sorozabal. Her opera credits include Paula in Florencia en el Amazonas by Daniel Catan,  Rosina in Il Barbiere di Siviglia, Mercedes in Carmen, Flora Bervoix in La Traviata, Alisa in Lucia di Lamermoor, Maddalena in Rigoletto, La Ciesca in Gianni Schicchi, Maria in Maria de Buenos Aires, Valencienne in The Merry Widow, Kate Pinkerton in Madama Butterfly, and Dido in Dido and Aeneas, among others.